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NEW ARTIST | Rene Juan De La Cruz
May 19th 2016
Brooklyn-based artist Rene Juan de la Cruz’s rhythmical geometric forms are inspired by the artist’s love of music and moving visuals. Read more about the work below.

There’s something rather pleasing about Puerto Rico born artist Rene Juan de la Cruz’s minimalist abstract creations. Perhaps this is due to their satisfyingly symmetrical nature and the attention to detail applied to each individual piece, which strikes you straight away. Or maybe it can be attributed to the uplifting energy given off by the works, despite their relatively small-scale and unassuming existence.

Working from his studio in Brooklyn, New York, de la Cruz makes the work himself from the initial design stage to the completed, signed and numbered screenprinted edition stage. The extensive precision is achieved by creating each image digitally on the computer to get the desired effect, before transforming it into a perfectly executed, hand-printed silkscreen print. The level of quality is important, and this is a significant part of the work, with subject matter and medium echoing one another harmoniously.

A multimedia artist, as well as a video jockey known as VJ Demencia, de la Cruz takes his inspiration for the new series, titled ‘Perfect Imperfections’, from his passion for music and the moving image. Works such as Elastic Triangulation 1 and Red and Black Simetric Triangulation are reminiscent of sound waves moving horizontally across the page, while others appear to be totally abstract. Although displaying static forms, the prints have a definite sense of fluidity about them, with the monotone pieces such as Elastic Focus and Pendulum creating optical illusions in a Brigit Riley-esque manner, which trick your eyes into believing the images are shifting around on the surface of the paper. Titles are used to intensify this experience of potential movement; Pendulum becomes exactly that as one can imagine the levitating form swinging back and forth, and the word ‘elastic’ conjures up notions of flexibility.

In the three-tone pieces, the colour red has been introduced to produce more depth in the layering and a sense of transparency and texture. These forms are ‘noisier’, with more detail, taking things to another level.

Although each piece works as a standalone print, it’s when they’re displayed together as a series that they really come to light, creating their own visual language which can almost be heard when you become fully immersed in the viewing experience.

We have six exclusive hand-printed screenprints in limited editions of 25 available at £725.00 each. See the works in more detail here.
ANGIE DAVEY
Creative Director
RENE JUAN DE LA CRUZ
 
 
RENE JUAN DE LA CRUZ RENE JUAN DE LA CRUZ
 
 
 
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Danish artist Henrik Simonsen has time and time again captivated the audience with his ability to represent the beauty of nature’s forms, composition, light, and colour in his original prints and paintings. Inspired by his time spent in the Scandinavian countryside, Simonsen not only creates works from his observations of plants’ and flowers’ physical features, but also from personal impressions and experiences of nature. One print edition, Blue Hour, portrays a small patch of nature confined in subtle, dazzling and gripping blue tones, and lets everyone in on an inspiring tale of new beginnings.
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Richly decorated clay vases and modern-day chronicles woven into tapestries, Grayson Perry’s visual realms are a dizzying blend of cryptic slogans, bohemian ideals, exotic pornography, and class-based satire. Some works are an illustrative commentary on his life, others capture the lives of his alter-egos or present open-ended delusions. Guided by his intuition, he never followed the tide of his contemporaries in the eighties, instead he chose mediums that came natural to him; a choice that would prove to be a gift and won him the prestigious Turner Prize in 2003. One of the earliest editions, Love Plane, from 2000 is the artist’s spiritual and procreational journey on smooth satin which sits perfectly within the artist’s practice.
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